It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.

People can rock together, people can do great things together, and that's what you love when you're working with characters and it's all going well.

I can see that in retrospect but I guess I've always had such an identity crisis when it comes to other people's understanding of me.

I just wanted to have some songs I could stand behind, and when I'm on stage just be loving it. People ask me why I did that and I think perhaps it's because Berlin is quite a gray place and I needed to sympathize with a bit of sunshine.

It always happens around beach resorts, a certain kind of money gravitates to the scene. The gold goes to the water. People love to wear it, show it off, roll with it. For me, I just find it disgusting.

It's weird how things are really stop-start in my creative process. I can't just turn it on - it just happens kind of randomly and I've just got to ride it when it's good. Surf's up! It's like that.

The layering of sound is by no means a two-dimensional process. Even though I've been doing it for a number of years, the diversity of it is so intriguing. It's a bit like traveling across the water. Though you may have done it time and time again it always hits you in a different way.