You have to react to what's around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.

There's a certain phraseology involved in jazz, and I've moved away from that.

Coltrane was moving out of jazz into something else. And certainly Miles Davis was doing the same thing.

I feel very strongly when there's no chance for me to find a key to a piece.

When we are on tour we also take chances.

Sometimes it works, sometimes it fails, but that's what we face when we're dealing with improvisation.

Jazz, for me, is a closed circuit, like the term baroque in the world of classical music.