[Travel seems] not just a way of having a good time, but something that every self-respecting citizen ought to undertake, like a high-fiber diet, say, or a deodorant.

Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell.

The genius of Canada remains essentially a deflationary genius.

I’ve become obsessed with the idea of reconciliation, particularly reconciliation with nature but with people too, of course. I think that travel has been a kind of search for that, a pursuit for unity and even an attempt to contribute to a sense of unity.

The more I was treated as a woman, the more woman I became. A adapted willy-nilly. If I was assumed to be incompetent at reversing cars, or opening bottles, oddly incompetent I found myself becoming. If a case was thought too heavy for me, inexplicably I found it so myself.

Chicago's downtown seems to me to constitute, all in all, the best-looking twentieth-century city, the city where contemporary technique has best been matched by artistry, intelligence, and comparatively moderated greed. No doubt about it, if style were the one gauge, Chicago would be among the greatest of all the cities of the world.

Vermonters, it seems to me, are like ethnics in their own land. They are exceedingly conscious of their difference from other Americans, and they talk a great deal about outsiders, newcomers, and people from the south.