Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell.

Australia is a country not so much of fulfillment as of theatrical expectation.

I’ve become obsessed with the idea of reconciliation, particularly reconciliation with nature but with people too, of course. I think that travel has been a kind of search for that, a pursuit for unity and even an attempt to contribute to a sense of unity.

Vermonters, it seems to me, are like ethnics in their own land. They are exceedingly conscious of their difference from other Americans, and they talk a great deal about outsiders, newcomers, and people from the south.

Chicago's downtown seems to me to constitute, all in all, the best-looking twentieth-century city, the city where contemporary technique has best been matched by artistry, intelligence, and comparatively moderated greed. No doubt about it, if style were the one gauge, Chicago would be among the greatest of all the cities of the world.

I believe the transsexual urge, at least as I have experienced it, to be far more than a social compulsion, but biological, imaginative, and essentially spiritual, too.

Vermonters are not only charmless of manner, on the whole; they are also, as far as I can judge, utterly without pretence, and give the salutary impression that they don't care ten cents whether you are amused, affronted, intrigued, or bored stiff by them. Hardly anybody asked me how I liked Vermont. Not a soul said 'Have a nice day!