You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.

I think I made good movies.

I did this Super-8 film at art school called Tissues, this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.

As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide.

I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.

There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.

Women today are dealing with both their independence and also the fact that their lives are built around finding and satisfying the romantic models we grew up with.