Evolution tells us how to survive; art tells us how it's possible still to live even while knowing that we and all we love will someday vanish. It says there's beauty even in grief, freedom even inside the strictures of form and of life. What's liberating isn't what's simplest; it's the ability to include more and more shadows, colors and possibilities inside any moment's meeting of self and world.

The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.

Sam Hamill is a writer unabashedly taking his place within the community of literature and the community of all sentient beings-his fidelity is to the magnificent truth of existence, and to its commensurate singing.

History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.

This garden is no metaphor - more a task that swallows you into itself, earth using, as always, everything it can.

I travel as much as I do. It isn't the life I expected. I don't know what dust of pollen will come back with me from these travels.But I must trust that I will not treat frivolously the glimpses I've been given into other places and others' lives.

Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.