Modernism really started with people getting infatuated with the idea of "it's the twentieth century, is this suitable for the twentieth century." This happened before the First World War and it wasn't just the soldiers. You can see it happening if you read the Bloomsbury biographies. It was a reaction to a great extent against Victorianism. There was so much that was repressive and stuffy. Victorian buildings were associated with it, and they were regarded as very ugly. Even when they weren't ugly, people made them ugly. They were painted hideously.

My husband was a hospital architect and he was working on some hospitals in Alberta, and I told him to try to find out what they thought about separatism. He would come back on weekends. He said "well, I think I found out how they feel about separatism. I brought it up at lunch in the cafeteria, and everybody at the table was silent and then somebody said 'Let's change the subject'."

poverty has no causes. Only prosperity has causes. Analogically, heat is a result of active processes; it has causes. But cold is not the result of any processes; it is only the absence of heat. Just so, the great cold of poverty and economic stagnation is merely the absence of economic development.

That was the fear that there would be no identity anymore, for Canada. It was foolish, because there are so many examples of separatism, and nothing has disintegrated, unless they went to war.

Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.

I think that intelligent people to a great extent are captives of their time or place.

Cities never flourish alone. They have to be trading with other cities.