Love is the terrible secret people are suspected of unless they're married, then one always suspects they don't.

Every artist seems to me to have the job of bearing witness to the world we live in. To some extent I think of all of us as artists, because we have voices and we are each of us unique.

Charity is a cop-out so traditionally female in its apparent self-effacement that there seems resonant comfort in it. We're no longer supposed to serve the imaginations of men who have dominated us. We are to give up ourselves instead to those whose suffering is greater than our own. Looking down is just as distorting as looking up and as dangerous in perpetuating hierarchies.

I remember how surprised I was when my first novel was about to be published and I was informed that I could be sued for anything any one of my characters said. 'But I often don't agree with what they say,' I protested. The lawyer was not interested in the clear distinction I make between my own voice and the voices of my characters. Neither, I have found, are many of my readers.

Now that our sexual experience is increasingly available to us as a subject for contemplation, we have to extend our language to express our new consciousness until we have as many words for sexuality as the Eskimo has for snow, that pervasive, beautiful, and mortal climate in which we all live.

It's not the length but the quality of life that matters to me. It has always been important to me to write one sentence at a time, to live every day as if it were my last and judge it in those terms, often badly, not because it lacked grand gesture or grand passion but because it failed in the daily virtues of self-discipline, kindness, and laughter. It is love, very ordinary, human love, and not fear, which is the good teacher and the wisest judge.

I had always said to myself that forty was the cut off point of my apprenticeship which may for some people sound like a very long one, but the novel as art is a middle-aged art.