I have reared, or helped to rear, five children and the scariest bit, bar none, is the learning to drive part. It has filled me with anxiety not only about the children, but also about my former self and my friends.

Every novel deals with social problems. It can't help it because the protagonist must come in conflict with his group. So the author has to offer an analysis of how the group and the protagonist fit. Otherwise, the reader will just say, "This makes no sense," and will put it away.

A theory of creativity is actually just a metaphor. A pool of ideas, a well of memories, a voice.

A novelist has two lives-- a reading and writing life, and a lived life. he or she cannot be understood at all apart from this.

Not every novel that wants to be a tragedy gets to be one.

I say, when your hair turns gray and your children think they know who you are, do the thing that shakes up who you think you are, even who you had prided yourself on being. When all those around you say they simply don't recognize you any longer, that's the real compliment.

Hungry ears are sharp ones.