In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.

In many ways, being honest about 'Huckleberry Finn' goes right to the heart of whether we can be honest about our heritage and our identity as Americans.

Art doesn't exist if you just do what you're told. It only exists as an exercise of individual taste and freedom.

Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable.

There weren't too many books by women that were taught in school, so I read those on my own, and the books I read were as accessible as the ones we were reading in school.

I'm a natural novelist. I'm interested in the person and the group, and how they mesh. And one of the ways I don't want them to mesh is for the person to be subsumed into the group.

I say, when your hair turns gray and your children think they know who you are, do the thing that shakes up who you think you are, even who you had prided yourself on being. When all those around you say they simply don't recognize you any longer, that's the real compliment.