People with good intentions never give up!

Before I write a novel, images float around in my head that work like icons - they are meaningless in themselves, but serve as reminders.

The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive.

As Fallingwater demonstrates, Wright's genius was always specific, but also always lively, always daring.

Because your goal is a complete rough draft of a novel, and every rough draft, by being complete, is perfect.

In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.

Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable.