Good girls like myself need subversion. Being solemn, I aspire to comedy. Being a novelist, I aspire to the musical. Being organized, I aspire to luminous chaos. Loving the power of grammar and the fine distinctions of language, I seek the part of the mind I didn't know was there, the part 'sheer,' 'no-manfathomed,' 'cliffs of fall.

The only justification for writing a novel is that it should be wonderful. Adequate is inadequate.

Most writing is done between the mind and the hand, not between the hand and the page.

What matters is not publication or success (success is bad for your prose) but the practice of the imaginative act. Our damaged values depend on it.

The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of rearing and peering from the bent tip of a grass blade, looking for a route.

The human desire to know why is as powerful as the desire to know what happened next, and it is a desire of a higher order.

In literature only trouble is interesting. It takes trouble to turn the great themes of life into a story: birth, love, sex, work, and death.