[...] a morass of despair violence death with a thin layer of glass spread upon the surface where Love, a tiny crab with pincers and rainbow shell, walked delicately ever sideways but getting nowhere, while the sun [...] rose higher in the sky its tassels dropping with flame threatening every moment to melt the precarious highway of glass. And the people: giant pathworks of colour with limbs missing and parts of their mind snipped off to fit them into the outline of the free pattern.
Janet FrameI inhabited a territory of loneliness which resembles the place where the dying spend their time before death, and from where those who do return, living, to the world bring, inevitably, a unique point of view that is a nightmare, a treasure, and a lifelong possession.[It is] equal in its rapture and chilling exposure [to] the neighbourhood of the ancient gods and goddesses.
Janet FrameTimmy, who made a daring escape, also made a mistake of paying the taxi driver with a check made out of toilet paper.
Janet FrameI have always disliked the morning, it is too responsible a time, with the daylight demanding that it be 'faced' and (usually when I wake for I wake late) with the sun already up and in charge of the world, with little hope of anyone usurping or challenging its authority. A shot of light in the face of a poor waking human being and another slave limps wounded into the light-occupied territory.
Janet FrameWriting a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
Janet Frame