He sees the land of meaning, and one path to it, and the so-called “normal” people traveling swiftly and in comfort to the land; he does not include the shipwrecked people who arrive by devious lonely routes, and the many who dwell in the land in the beginning.

She grew more and more silent about what really mattered. She curled inside herself like one of those black chimney brushes, the little shellfish you see on the beach, and you touch them, and then go inside and don’t come out.

The idea was to have a basin inverted on his head and his hair cut to the shape of it. Skill and money were not needed. Then the idea grew that it was more convenient to leave the basin on his head. Stray thoughts were trimmed along with stray hair; brain-vines, tentacles of thought, were not encouraged to wander. Then, in the interests of human economy, the head of adaptable man became a basin of uniform shape—a basin, a crash helmet. Safe at last; no more thought-cuts.

For in spite of the snapdragons and the duty millers and the cherry blossoms, it was always winter.

All writers are exiles wherever they live and their work is a lifelong journey towards the lost land.

I am not really a writer. I am just someone who is haunted, and I will write the hauntings down.

People dread silence because it is transparent; like clear water, which reveals every obstacle—the used, the dead, the drowned, silence reveals the cast-off words and thoughts dropped in to obscure its clear stream. And when people stare too close to silence they sometimes face their own reflections, their magnified shadows in the depths, and that frightens them. I know; I know.