I have always disliked the morning, it is too responsible a time, with the daylight demanding that it be 'faced' and (usually when I wake for I wake late) with the sun already up and in charge of the world, with little hope of anyone usurping or challenging its authority. A shot of light in the face of a poor waking human being and another slave limps wounded into the light-occupied territory.

When our thoughts revolve we are so often deceived into supposing that their violent movement is an indication of their vigorous originality, the upheaval of prejudice and fixed ideas, when all the time it is more likely that the machine which contains them is only an elaborate cement-mixer, and when the thinking is finished, those whirling thoughts are smoothed into the unchanged conventional mould and seeing them set solid enough to dance, to build, to travel upon, we would never dream of their first deceit, of the hope once roused by their apparently violent reorganisation.

Very often the law of extremity demands an attention to irrelevance.

Death is a dramatic accomplishment of absence; language may be almost as effective.

The strain of constant adaptation to so many fearful events and discoveries is already too much to bear with sanity; one has to keep pretending to slip successfully into the new mould; a time will come when the tailored and camouflaged mind breaks beneath the burden; the stick insect in our brains no longer cares to resemble a twig on the same habitual human tree in the mere hope that it may survive extinction.

All writers - all beings - are exiles as a matter of course. The certainty about living is that it is a succession of expulsions of whatever carries the life force...All writers are exiles wherever they live and their work is a lifelong journey towards the lost land.

...there must be an inviolate place where the choices and decisions, however imperfect, are the writer's own, where the decision must be as individual and solitary as birth or death.