I must go down to the seas again to find where I buried the hatchet with Yesterday.

He sees the land of meaning, and one path to it, and the so-called “normal” people traveling swiftly and in comfort to the land; he does not include the shipwrecked people who arrive by devious lonely routes, and the many who dwell in the land in the beginning.

Listening to her, one experienced a deep uneasiness as of having avoided an urgent responsibility, like someone who, walking at night along the banks of a stream, catches a glimpse in the water of a white face or a moving limb and turns quickly away, refusing to help or to search for help. We all see the faces in the water. We smother our memory of them, even our belief in their reality, and become calm people of the world; or we can neither forget or help them. Sometimes by a trick of circumstances or dream or a hostile neighborhood of light we see our own face.

There is no past or future. Using tenses to divide time is like making chalk marks on water.

It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we're always in other places, lost, like sheep.

All writers - all beings - are exiles as a matter of course. The certainty about living is that it is a succession of expulsions of whatever carries the life force...All writers are exiles wherever they live and their work is a lifelong journey towards the lost land.

time past is not time gone, it is time accumulated with the host resembling the character in the fairytale who was joined along the route by more and more characters none of whom could be separated from one another or from the host, with some stuck so fast that their presence caused physical pain.