But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.

You can't keep things secret in a film anymore. Once you realize the secret's out, you might as well go with it and not pretend that it's not there.

I just want people to focus on the performance.

The older you get, the better you get, because you've seen more. You don't necessarily have to go through a lot, but you have to witness it in order to recreate it.

I have become a marketing tool and I feel very uncomfortable with that. There's no space for me to express myself.

I've always thought if you watch the performance and you don't know about the person, then you only see the performance.

I have very girly hands and I use them a lot when I talk in a way that I think is very feminine.