So we do have our exits and our entrances and we are perhaps mere, but I think if one keep a certain joyousness in life which should be in playing, then good for one, but it's slightly more serious than that.

But I think theatre in a repressive society is an immensely exciting event and theatre in a luxurious old, affluent old society like ours is an entertaining event.

I suppose meeting people whether it's in real life and actually shaking their flesh and blood hand or shaking the mystical hand of the character all rub off on you in some way.

I find its attention to living this life rather than the next one exhilarating because I think even independently of Judaism that that's the right way to go about life.

OK, well maybe I have to get back to Judaism. In the sense that if I look at me and my forebears forever stretching back to I don't know, whenever there's no sense of place and therefore no sense of nationality.

But now I've got a young son and his interest is in science and now when I talk to him, I see that in the science sphere of our lives there is new, there is progress.

But I think the possibility of a black and white society feeding each other's expertises, living harmoniously, will probably go along in fits and starts now but at least it has a great constitution now to back it up.