Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
Janice ErlbaumAnybody who severs their own Achilles tendon, takes blood thinners to induce a hospital stay , or beats themselves with their fists hurts themselves as much, if not more, than they benefit from the attention they derive from their actions. Con artists usually benefit from misleading others without sacrificing anything themselves. All my girls have sacrificed plenty.
Janice ErlbaumKerry Cohen's powerful, transfixing story will be familiar to many women, most of whom won't want to admit it. In this heartfelt and authentic memoir, Cohen transcends the pain and shame of a promiscuous past, and leaves readers with a sense of hope and triumph.
Janice ErlbaumI feel a lot of sympathy for the young women I've written about, including Younger Janice. I think that all of them (me in Girlbomb, Samantha in Have You Found Her, and Elizabeth in I, Liar) had some early family trauma that contributed to their dysfunctional methods of dealing with the world, but I wouldn't call them/myself victims - survivors, maybe, but not victims. Nor do I think of them/myself as con artists.
Janice Erlbaum