I had very little involvement with 'TinTin'. Very little involvement. So I can't really elaborate on that either.

'Sugarland Express' was pretty amazing.

These days, you'd probably shoot it in the daylight and manipulate it in the post. That's [how] most people would do it. [I did the same thing with] with 'Diving Bell and the Butterfly'. No CGI. It's all live photography. And I like that, it's very challenging and exciting to be able to do that.

[Spielberg] surrounds himself with great crew members who are at the top of their game and know their stuff. He motivates us by liking what we do, and he doesn't get paralyzed by the process or by new ideas. He embraces them and uses them.

It would be horrible to be micro-managed! I don't think directors can really micro-manage people. It's just impossible.

'American Dream' is a small little movie made for under a million dollars. Totally independent feature.

["War Horse"] does have action as well, but we allow the audience to appreciate the environment where these characters are from because the lens shapes the people, as we know.