Often in films there's more of allowing the actors to make the dialogue fit better in their own. Also, you get to a location and the geography is different, so the lines don't line up the right way, so you do have to change stuff.

I keep mementos from everything I've done.

People are fascinated by evil because its mysterious and it doesnt seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately mundane. The character becomes mundane.

I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.

Marriages had different meanings back then than they do now, they were used to cement agreements between families, business deals and things like that. The idea of marriages being arranged for love is some sort of modern idea, really.

Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.

I was 17, and all I wanted to do was to get away from England and the awful, boring boarding schools I'd been going to there. The last one was taught by monks, and I couldn't wait to get out.