I remember thinking, 'I'll audition just once and if it doesn't work out I'll never think about it ever again.'

I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.

It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.

Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.

I remember thinking, 'I'll audition just once and if it doesn't work out I'll never think about it ever again.'

When you see natural disasters caught on film you realize how well they had been imagined by Hollywood for such a long time. It's all good fun. You never know who's gonna survive and who doesn't.

You get ideas from other people all the time.