Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television, or just written.

If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.

You can't really do a lot of research for being a mass manipulating, murdering super-villain.

If you only take parts that are offered to you, you end up playing the same roles over and over again. I think it's important to keep auditioning. I think it's important to scare yourself; to take parts that are outside of your comfort zone.

It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.

I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.

I really wanted to get out of England.