I think what a big part of 30 Seconds to Mars is, it's not only music, it's not only art, it's a community. It's a sense of having a place to belong. And not everybody will understand it, and that's ok, it's just for the people that do.

Put one foot in front of the other. Keep marching forward, even when doubt, fear, and failure all come knocking at your door.

It's nice if people ask to use your song. You have to make a decision as an artist how you feel about that.

When I was a kid, I used to live in New York City. There was a guy named Michael Alig. He used to throw parties. And a couple of times, I even worked for him and his crew, and handed out fliers, and had my super-high shoes on, and wearing silver Saran Wrap around my head or something. It's a world I was really comfortable in: a world full of individuals. I think what I like about that world - besides my own personal interests - is the individualism, the investment in the self.

Sometimes you fall in love with a song 'cause it's new, it's exciting and you just birthed it. Then you fall out of love sometimes. But the strongest songs always survive and you come back and you fall in love all over again.

I'm a vegan. I respect the environment, and I do my best to spread the importance of such an issue.

The bridge between reality and a dream is work.