It's nice to be able to communicate digitally with people around the world.

You know it's a perverted crowd when a guy is screaming at you to take your shirt off.

I like to think that people can see that and appreciate that idea and then, by some mechanism of wearing the fragrance, sort of carry that idea with them in their own life. Whether it's a weekend in Louisiana or in New York City or in Venice, Italy, or wherever they may be. I think there's something kind of fascinating and powerful about that.

If I was ever a teen idol, I’d kill myself.

So I'm wearing that today. And I wore it yesterday, too. Maybe I'll wear it tomorrow. I just collect stuff, I guess.

I never think people are cheeering for us. In fact, i don’t really hear them at all.

I think what a big part of 30 Seconds to Mars is, it's not only music, it's not only art, it's a community. It's a sense of having a place to belong. And not everybody will understand it, and that's ok, it's just for the people that do.