Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.

I Lived on the street when i was a kid, i wasn’t even at school, so i had a whole different set of experiences for those formative years. I was gone… i was in a very precarious place when i was younger.

I just think it's really important to be yourself and not trying to be something you're not.

My proudest moment was when I was in high school, some jackass tried to give me a wedgy. I came prepared, I went commando. It tickled.

I remember seeing this image of these women wearing these bright clothes and patterns, and it struck me. I remember taking note and going, like, "What is that? Who is that?" and finding out it was Gucci and being surprised.

Alessandro [Michele] has really done the impossible. He's taken this classic brand [Gucci] and really turned it completely around and taken it in a direction that was so unexpected. [Alessandro and I] met and became friends here in L.A., and then we got to know each other and he asked me to do this. It was really organic and not the way this stuff normally happens.

He's an innocent in a lot of ways. He's a very simple person who really doesn't have the resources or the strength, ultimately, to handle the situation.