I don't really care what people say. If I'm wearing, like, a tie-dye onesie and I'm in the middle of the desert, I'm not doing it for fashion points; I'm doing it because it's fun or it makes me feel good.

I like to employ the power of no. We all want to say yes, because with yes comes so much opportunity, but with the power of no comes focus and engagement.

I thought it would be a great opportunity to work with someone that I really like and really respect as an artist [like Alessandro Michele].

I understand that coffee and cigarettes are cool, fashionable and all that. But agree the tea with cookies still taste better.

I get a terminal dissatisfaction on films. If I was bad in one scene, it's impossible to let go. And it can make or break my day. If I drank, I would probably drink a lot.

I was raised around a lot of artists, musicians, photographers, painters and people that were in theater. Just having the art-communal hippie experience as a child, there wasn't a clear line that was drawn. We celebrated creative experience and creative expression. We didn't try and curtail it and stunt any of that kind of growth.

This is an industry [high fashion] that has an abundance of over-confidence. I don't think anyone would dispute that, and I'm not trying to pick on anybody, but that's just a fact, right? And sometimes that's fun.