I do write songs with a political dimension to them sometimes, but I'm always slightly appalled by it when I do.

Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.

You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.

Human beings aren't meant to be solely consumers - eventually, something has to come out. Otherwise, I don't really see what the point of all that consumption is. The idea behind watching things and listening to things is that it stirs something within you, and hopefully that will stimulate you to then create your own thing.

We've always been a bit out of touch with reality.

[Jeffrey Lewis is] The best lyricist working in the US today.

If you wanted to be a creative person and you are confronted with the sum product of mankind's creativity up to this moment in history, that's pretty daunting, like, "Where can I fit my voice in amongst all that?"