I'm not a 'celebrity'. I'm not a big huge star and so when people see me it's usually to talk about something I've done and that's a great conversation to have.

I became an adult before I had a kid, which I highly recommend. I just like to throw her around. She's a really good snuggler, and she likes to give kisses and hugs.

I've always felt bad that I never had more information to give people when they asked me about it, but I guess people kind of got frustrated by that and they just started kind of making up their own sort of "well, we haven't heard that much" or "news hasn't changed so it must be going away".

And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.

I'm in bed by nine. Let's get on with it.

It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.