I know when I like to go see a show, I like to see people show as many different facets of themselves as they can, because I think that's the fun of it.

If you don't get a laugh I immediately think it's somebody else's fault. You can always blame the material. But when it's just yourself and songs that you've picked up because you love them and stories that you've written yourself and patter you think is really funny if that tanks, there's no one to blame it on. God knows, I try!

I know when I like to go see a show, I like to see people show as many different facets of themselves as they can, because I think that's the fun of it.

Yeah, the actors really come in as lumps of clay. We're ready to work with the directors and find our way. These guys really come in having done their work.

When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.

The operas that I do are more in the operetta world, but I've gotten to do them in all of these major opera companies so it's been really wild. And I feel comfortable in that world because I went Cincinnati Conservatory and I hung out with all those kinds of people, I love hanging out with them and I understand them and their "diva-osity."

There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.