I think thats what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.

Everybody acts like they're in a movie in most movies. That's why they stink.

My method seems to change to everything, especially when you get older. You have more of a resonance to be able to grab to. When you're younger, you have these big boundaries because you don't know how to get you to where you are. When you get older, you have a few tricks that you can pull off.

Whatever character you're playing you have to complete the entire interior infrastructure, whatever it is - but what gets divulged or what people completely understand depends on the script and what you decide to show. But you have to know it.

It's interesting to help someone find their vocabulary. There would not have been a De Niro without a Scorsese.

I never turned down a movie because they wouldn't give me enough money.