I've said the line about Ray Charles a million times, but nobody listens to him singing "I Can't Stop Loving You" and wonders who Ray can't stop loving. They apply that to their own lives. That will happen with my songs.

I think it's essential to make new music now, and to try and make epic records now, and not rely on what happened in the past.

It's a weird situation, doing interviews. Nowhere else in the world can you talk about yourself and have people listen like they're interested over and over. Most people, if they talked about themselves for a half an hour, you'd go, "I'll give them a miss next time." So it's kind of weird.

I'm obsessed with the science of music. I'm obsessed with the way you can string notes together and they can do something, and you play the same notes in another way and they do nothing. How the essence within songs - within words, within lyrics - finds its place.

I don't make records for this medium with which we're going to sell it. The selling of it can never be more important than what you're actually making. There's too much of that in the world - in everybody's world, not just in music. There's too much, "Are you hip to this kind of stuff?" "Hey, this is cool." "Are you hip to it, because this is what we're selling today?" I think it's bullshit.

You know, I'm unable to make those records where you just go in a studio and that's it. I think you can capture so much more on a record than just a particular performance on one day.

When it's a pop song, I don't really want to do pop songs, but they exist and sort of come out by accident.