'Looper' is about what your 55-year-old self would tell your 25-year-old self over a cup of coffee. It's about finding love in the third act of your life. It's about overcoming trauma and the idea of true sacrifice.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room.

Really, it's the director's job to disappear and allow the movie to just feel.

And the biggest improvement I see between 'Up in the Air' and 'Juno' and 'Thank You for Smoking' is that 'Up in the Air' deals with the complicated human stuff in a way that my other films have not. It's a more articulated film, and because of that, I'm most proud of it.

I've been very, very lucky in my career, in my life - from day one. When aspiring directors say, 'what's your advice?' first I say, 'be born the son of a famous director. It's invaluable.'

Selfishness, narcissism, being uncomfortable in your own skin, not feeling connected to the world around you, feeling dislocated from family and youth, having a strange relationship with your childhood - all those things feel really true to me.