I love that you can shoot something on your phone, or shoot something on these small Cannon cameras, and edit it overnight and get it out there the next day and potentially go viral. And that's huge. It really takes the middle-man out. It allows anybody to become a content creator.

There's always going to be the circumstances you can't plan for. There's always the unexpected relevance and the serendipity.

I think one of the both liberating and terrifying prospects from synthetic biology for example is that you are going to have all of these do it yourself biosynthetic labs where people are going to be playing with the software of life. We are going to have a new generation of artists that are going to be playing with genomes the way that Blake and Byron used to play with poetry. And when genomes are the new canvas for the artist, we might be able to radically upgrade the human species and the software of the biology of the human species.

I remember my mentor once said, "The low road is crowded. The high road is wide open. So let's try to take the high road." I think that people are hungry for content that enriches and expires. You can entertain people while still expanding their horizons. You don't have to have it be a race to the bottom with reality television.

That's the case with these exponential technologies; our brains, they struggle with it. We live in a world that is global and exponential, and our brains evolved in a world that was linear and local.

Imagine something a million times more powerful than your smartphone that is the size of a brain cell interfacing with your biological neurons. That will be the complete symbiosis. That will be when we augment our brains at the level of the neuron.

We fit the universe through our brains and it comes out in the form of nothing less than poetry. We have a responsibility to awe.