My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.

We are the Captains of Spaceship Earth...we have the capacity to overcome our limits.

Film is the only technology that allows us to share subjectivity with someone else.

It's kind of depressing when you hear the anti-science rhetoric in America, but I think that people are just afraid of change, and I think they're afraid of disruption, and I think they're afraid of the feeling that the rug is being pulled from underneath their feet. People are used to things changing maybe over many generations, but they're not used to seeing things change within their own lifetime. The problem is people are going to college and graduating, and realizing that their major is obsolete.

To be inspired is the ultimate antidote to existential despair.

I think people who have all kinds of debilitating mobility issues will benefit from robotic augmentation. That is even before we get into organ replacement and organ printing and synthetic biology and so on and so forth.

Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.