When I was 12 or 13 I already knew that I was gay. And then my interests were not conventional. So I was very different, in every sense of the word. And in an all-boys school, that's tough.

I guess I accidentally became a part of history. Honestly, when you're young and you're a designer, you have a goal, but that is not the kind of goal that you even think it's possible to achieve.

My parents loved me, and I think they realized that I was probably not going to have a normal 9-to-5 job. For the longest time, my dad thought that I was just going to be home until I was, like, 35, which, weirdly, is completely normal in Asian families.

The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.

My cats are really sassy and sophisticated, but most importantly, they are picky.

I woke up one day and I was like, "I don't have anything to save for myself for the future." That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.

As a designer you have to just do whatever you want to do. The second I came to terms with that, it transformed my work.