This is the hardest thing I've ever done, being in fashion business, because that's what it is at the end of the day, a business, and you have to make sure it works.

I hope being gay isn't the most interesting thing about me.

The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.

In American culture you leave home at 18. In the Asian culture, your parents don't really want you to leave home. So my parents just thought I was going to be one of those kids. I was like, "I'm never going to make a living at whatever I do." I just liked pretty things.

I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.

For a while, I just thought that I wanted to be an illustrator because that's all I wanted to do. I also did some sculpting. It was always very artsy and very feminine, everything that I did.

I think it's really important to make things your own in your voice. I started when I was 23, and in the beginning of my career, there was this expectation of a young designer being edgier, cooler, more downtown. But I was never that person.