I don't collect things per se, but I do pick up things as I go. Like, in my studio I have an old sewing machine from Germany that my dad gave me, and then something else that I got from a friend in India, and a piece of flooring from one of my shows.

I think it's really important to make things your own in your voice. I started when I was 23, and in the beginning of my career, there was this expectation of a young designer being edgier, cooler, more downtown. But I was never that person.

I realized the importance of archiving. So I save key pieces from my collections, as well as any red-carpet things that become iconic. I always ask for that stuff back. I'm like, "It's going in my archives."

In designing for the first lady, I tried to sort of be in her shoes, but I didn't really look at her as an important political figure. I looked at her as a woman who would like to wear a beautiful dress to an important gala.

Actually, I'm probably 99-and-a-half percent plastic now.

I was very preppy in my childhood. I also went through an anti-clothing moment where I just wanted to wear sweats because I'd just moved to Canada. My mom was always trying to get me into proper clothes, but I never wanted to wear them, and now that's all I wear.

I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.