To do a drawing for a painting most often means doing something very sketchy and schematic and then later making it polished.

In my early work, I tried to hide my personality, my psychological state, my emotions. This was partly due to my feelings about myself and partly due to my feelings about painting at the time. I sort of stuck to my guns for a while but eventually it seemed like a losing battle. Finally one must simply drop the reserve.

One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.

I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea.

Cubism is an anatomical chart of a way of seeing external objects. But I want to confuse the meaning of the act of looking.

I am not strong on perfection.

Most of the power of painting comes through the manipulation of space... but I don't understand that.