Intention involves such a small fragment of our consciousness and of our mind and of our life.

A picture ought to be looked at the same way you look at a radiator.

Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.

Everybody is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.

One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.

Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?

I'm working in my mind.