When you're a kid and you see gangsters living the life, you kind of want to be like that.

You know how hard it is to swim take after take and perform the next day swimming again? Me, I'm a terrible swimmer, but most actors with that tight schedule would be sick pretty quick.

When you're a kid and you see gangsters living the life, you kind of want to be like that.

I could only shoot when the subway was on the other platform. Little things like that, and the platform is very narrow. It's not like you can hide if a subway comes so a lot of things happened because of that. Or a thousand people just came and looked straight into the lens like they didn't expect a movie to be shooting.

It's hard to do a camera inside of a car. Non-Stop would have been impossible. Usually modern lenses you can focus up to the lens pretty much, but anamorphic you can't. You need like three feet.

Now that everyone's shooting digital they want the anamorphic to soften the look. You know, to make it more filmic.

Camera's are cheap. It's the lenses that are expensive.