Josh turns to me. “I can’t believe she’s writing these things.” “Not she,” I say. “Me.” “Why would anyone say this stuff about themselves on the Internet? It’s crazy!” “Exactly,” I say. “I’m going to be mentally ill in fifteen years, and that’s why my husband doesn’t want to be around me.

Because our lies matched. It was a sign.

I don't know exactly what it is, but it looks like interconnected websites where people show their photos and write about everything going on in their lives, like whether they found a parking spot or what they ate for breakfast." "But why?" Josh asks.

Josh will begin disappearing into a future where the only place he and I remain friends is on the Internet.

The young adult literature is relatively new - it just kind of exploded in the 2000s. When I grew up, there weren't bookstores with sections dedicated to teen lit, nor was my generation raised reading books written specifically for us. Because of that, today we still think of books for teens as children's books and so when you write a book that includes sensitive topics, it just seems even more controversial. What's troubling to me about that is these are issues adults know that teens deal with. Not writing about them makes them something we don't, or can't talk about.

Imagine ten or tweleve orange chairs arrainged in a circle, with the happy woen from the flyer sitting at opposite ends. Only problem was, from day one, they weren't happy. Someone, whoever made that flyer, must have digitally turned their frowns upside down. They wrote about death. About the evilness of men. About the destruction of-and I quote- "the greenish, bluish orb with wisps of white." Seriously, that's how they descibed it. They went on to call Earth a knocked-up gaseous alien needing an abortion.

As a writer, my only responsibility is to tell a compelling story.