It's my obligation to take out all the 'wrong' pictures.

The best camera is the one you have with you.

Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.

The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.

I'm a New Yorker. I don't believe in air unless I can see it.

If you're not your own severest critic, you are your own worst enemy.

You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.