You need minimum color for maximum effect.

Pain is not a conduit to art or joy

What you're shooting at doesn't matter, the real question is: 'Does it give you joy?'

We don't experience light, color, and gesture in a vacuum. We experience it in contexts.

Try to go out empty and let your images fill you up.

You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.

You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.