It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.

You will, in time, see and show others not just the superficial, but the details, the meanings, and the implications of all that you look at.

The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.

A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.

You cannot accurately remember color.

The best camera is the one you have with you.

If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.