Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.

Except in these latter-day songs, [Bob] Dylan is a grizzled old prophet who's already been to hell and back.

The most recent incarnation of [Bob] Dylan has been the traveling journeyman/ charlatan who sings roots music, snarls dark lyrics that make "All Along the Watchtower" sound like a Disney tune, hosts an old-school radio show, and turns up in some unusual places, like ads for Chrysler and Victoria's Secret.

"Masters of War" [of Bob Dylan] wasn't peacenik, anti-war stuff. With its minor key and uncompromising final lines ("And I hope that you die/And your death'll come soon/ I will follow your casket/ In the pale afternoon...") this was a previously unknown hybrid of caustic political commentary and punk rock, which itself wouldn't be invented for another decade or so.

I suspect many readers might associate [Bob Dylan] with one of the shortest phases of his career, the time from 1963 to '65 when he wrote his most famous "protest songs," like "Blowin' in the Wind" and "The Times They Are a-Changin.'"

While [Bob] Dylan's folk fans thought he was selling out [in 1965-67], actually Dylan was lodging a stronger, deeper critique of American hypocrisy.

People should support equality because of their religion not despite it. These are the values that openness, inclusion, diversity promote. And they're directly opposed to the kind of enforced closet of certain interpretations of religion.