There’s no path to liberation that doesn’t pass through the shadow.

The best songs of this [modern] period - the apocalyptic "High Water," for example - return [Bob] Dylan to where he was in his first phase, updating and transforming American traditional music.

Folk music had long been political but [Bob] Dylan's poetry took it to a new level.

I was raised a nice Jewish boy in a Conservative household. Went to Camp Ramah. It's funny actually. I think I enacted my queerness there unconsciously. I was kind of one of the weirdos. I was on staff and definitely interested in alternatives to what that social structure was supposed to be.

We in the Jewish community are comparatively lucky. All of traditions have anti-gay pieces but the Jewish tradition doesn't have as many anti-sexuality and anti-body teachings. It's a lot easier to fit affirmation of sexuality and gender.

In honor of his new Nobel, this hard-core Dylanophile wants to share with you a song or two from each of his many incarnations. Because you deserve to know.

In late [Bob] Dylan, music is the key to immortality, even though the summer days are long gone.