John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.

I'm not one of these directors, so far, that wants to have a whole separate director's cut of these things. So far they've turned out to be kind of the length that they wanted to be.

My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy.

To this day, people ask me where is Austin Powers 4? I don't have that answer, it so hard to come up with a story that deserves an encore like that.

Bryan [Cranston] created something completely unique, that was earned by its authenticity. That's what gave us the license to push it a bit.

On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting.

John Wayne was just a very conservative guy, who had not served in World War II, and he was defensive about that - he almost overcompensated his anti-Communism because of that reason.