I'm developing some other things in other genres, including one dramatic piece. So, anything's possible.

When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.

[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.

You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.

It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.

One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.

Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.