...beauty is the projection of ugliness and by developing certain monstrosities we obtain the purest ornaments.

They remain dead, the people I try to resuscitate by straining to hear what they say. But the illusion is not pointless, or not quite, even if the reader knows all this better than I do. One thing a book tries to do, beneath the disguise of words and causes and clothes and grief, is show the skeleton and the skeleton dust to come. The author too, like those of whom he speaks, is dead.

The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.

To achieve harmony in bad taste is the height of elegance.

...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.

Solitude, as I understand it, does not signify an unhappy state, but rather secret royalty, profound incommunicability yet a more or less obscure knowledge of an invulnerable singularity.

Anyone who knows a strange fact shares in its singularity.